Murder, betrayal, grief. Suicide (part of a scene’s action but not depicted literally), suicidal ideation. A brother asks his sister to kill him (she refuses). Drug and alcohol abuse (vaping, weed, beer). Sex with a strap-on (part of the scene’s action, not depicted literally). Discussions and mentions of penetrative sex (and a fear of engaging with it, connected to internalized homophobia). A character discovers she had sex with someone who contributed to the death of her sibling. Mention of a woman being abducted and sexually assaulted (recounted afterwards, not described in detail or depicted) then dismembering her abusers (not described or depicted). A character gets an erection in the presence of a dead body. A mother ends her own life to save her children. Mention of war, war crimes, colonization, and colonial destruction of a land, people and culture which is eventually restored. A father encourages a son to hide his queerness. A trans daughter describes delaying coming out, due to feeling neglected by her mother.

By the end of the play, the character who was sexually assaulted and abducted returns home and restores her community. The play’s queer and trans characters (except for Iphigenia, who is killed by her father in one of the first scenes) all survive and live long lives. Iphigenia is also okay in the end (she and her mother Klytemnestra who sacrifices herself, enjoy their afterlives).